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Free plan, in the architecture world, refers to the ability to have a floor plan with non-load bearing walls and floors by creating a structural system that holds the weight of the building by ways of an interior skeleton of load bearing columns. The building system carries only its columns, or skeleton, and each corresponding ceiling.
A stained glass window is a window composed of pieces of colored glass, transparent, translucent or opaque, frequently portraying persons or scenes. Typically the glass in these windows is separated by lead glazing bars. Stained glass windows were popular in Victorian houses and some Wrightian houses, and are especially common in churches. [24]
English: St Andrew, design for a stained glass window. Pen and ink and brush over preliminary chalk drawing, grey wash, 55.6 × 37.1 cm , Kunstmuseum Basel . Date
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
Floor plans use standard symbols to indicate features such as doors. This symbol shows the location of the door in a wall and which way the door opens. A floor plan is not a top view or bird's-eye view; it is a measured drawing to scale of the layout of a floor in a building.
Then the builders of the great Norman and Gothic cathedrals of Europe took the art of glass to new heights with the use of stained glass windows as a major architectural and decorative element. Glass from Murano, in the Venetian Lagoon, (also known as Venetian glass) is the result of hundreds of years of refinement and invention. Murano is ...
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The vertical plan of early Gothic cathedrals had three levels, each of about equal height; the clerestory, with arched windows which admitted light on top, under the roof vaults; the triforium a wider covered arcade, in the middle; and, on the ground floor, on either side of the nave, wide arcades of columns and pillars, which supported the weight of the ceiling vaults through the ribs