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Ridge and furrow is an archaeological pattern of ridges (Medieval Latin: sliones) and troughs created by a system of ploughing used in Europe during the Middle Ages, typical of the open-field system. It is also known as rig (or rigg) and furrow, mostly in the North East of England and in Scotland. [1] [2] [3]
Visually, the collection relied heavily on religious paintings of the afterlife from the Medieval and Renaissance periods, as well as the imperial dress and art of the Byzantine Empire. [32] [37] [38] McQueen felt the clothing in these paintings was depicted with a particular type of luminosity, and he sought to replicate that in his designs. [38]
Celtic mazes are straight-line spiral key patterns that have been drawn all over the world since prehistoric times. The patterns originate in early Celtic developments in stone and metal-work, and later in medieval Insular art. Prehistoric spiral designs date back to Gavrinis (c. 3500 BCE). [1]
A four-ox-team plough, circa 1330. The ploughman is using a mouldboard plough to cut through the heavy soils. A team could plough about one acre (0.4 ha) per day. The typical planting scheme in a three-field system was that barley, oats, or legumes would be planted in one field in spring, wheat or rye in the second field in the fall and the third field would be left fallow.
Geometric interlacing patterns are common in Islamic ornament. They can be considered a particular type of arabesque. Umayyad architectural elements such as floor mosaics, window grilles, carvings and wall paintings, and decorative metal work of the 8th to 10th centuries are followed by the intricate interlacings common in later medieval Islamic art.
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
Pattern welding also produced patterns in the finished blade, most commonly a herringbone pattern. [36] Such patterns are often referenced in Anglo-Saxon literature—they are described using terms such as brogenmæl ('weaving marks'), wundenmæl ('winding marks'), grægmæl ('grey mark'), and scirmæl ('brightly patterned').
Medieval architecture was the art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque , Romanesque , and Gothic . In the fifteenth century, architects began to favour classical forms again, in the Renaissance style , marking the end of the medieval period.