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Cretonne was originally a strong, white fabric with a hempen warp and linen weft. [1] [2] [3] [4]printed cretonne. The word is sometimes said to be derived from Créton, a village in Mesnils-sur-Iton (Eure, Upper Normandy) where the manufacture of linen was carried on; [5] [6] some other serious sources mention that the cretonne was invented by Paul Creton, an inhabitant of Vimoutiers in the ...
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Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with floating pattern wefts ().At the height of the fashion, the average repeat of a bizarre silk pattern was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric. [4]
Bed hangings or bed curtains are fabric panels that surround a bed; they were used from medieval times through to the 19th century. Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor, but also showed evidence of wealth when beds were located in areas of the home where .
The supporting fabric can be removed by rolling it out from under the textile item as it is laid out on the glass, bit by bit. This can stress the fibres: this method cannot be used on any old textile that is likely to be damaged by the handling. Such fabrics are allowed to dry first, then lay them on the glass and wet them in place.
Roller-printed cotton cushion cover panel, 1904, Silver Studio V&A Museum no. CIRC.675–1966 Indigo Blue & White printed cloth, American Printing Company, about 1910. Roller printing, also called cylinder printing or machine printing, on fabrics is a textile printing process patented by Thomas Bell of Scotland in 1783 in an attempt to reduce the cost of the earlier copperplate printing.
In Kuba culture, men are responsible for raffia palm cultivation and the weaving of raffia cloth. [1] Several types of raffia cloth are produced for different purposes, the most common form of which is a plain woven cloth that is used as the foundation for decorated textile production.
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
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