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Padmasana or Lotus pose is among the twelve meditation asanas named in the Bhasya commentary accompanying the Yoga Sutras of Patanjali. The Yoga Sutras of Patanjali describe yoga as having eight limbs, one being asana, the meditation seat. The sutras do not name any asanas, merely specifying the characteristics of a good asana, stating: [1]
Lotus position or Padmasana (Sanskrit: पद्मासन, romanized: padmāsana) [1] is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh.
In yoga, mudrās are used in conjunction with pranayama (yogic breathing exercises), generally while seated in Padmasana, Ardhasiddhasana, Sukhasana or Vajrasana pose, to stimulate different parts of the body and mind, and to affect the flow of prana in the body.
Religious Indian art makes use of a variety of seated asanas for figures of Buddha, Shiva, and other gods and religious figures. Most are meditation seats, especially the lotus position, Padmasana, but Lalitasana and its "royal ease" variant are not. [152] [153] Jain tirthankaras are often shown seated in the meditation asanas Siddhasana and ...
Siddhasana is one of the oldest asanas, being described as a meditation seat in the 10th century Goraksha Sataka 1.10-12. It states that along with lotus position, Siddhasana is the most important of the asanas (1.10), breaking open the door of liberation (1.11).
Padmasana is a term derived from Sanskrit word padma: lotus, and āsana: seat or throne, and may refer to: Lotus throne in Hindu–Buddhist art Lotus position in yoga
Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose "kingly" attributes are being emphasized.
The Sukhna Interpretation Centre/ Sukhna Gallery is an Indian art museum at Sukhna Lake.It was inaugurated by Manoj Parida who is the Advisor to the Administrator of Chandigarh on 4 December 2019, on the occasion of the 52nd anniversary [1] of the death of Pierre Jeanneret. [2]