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In contrast, a chord is in open harmony (also called open position or open structure [1]) if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
This system views voicings as built from the top down (probably from horn-section arranging where the melody is a given). The implicit, non-dropped, default voicing in this system has all voices in the same octave, with individual voices numbered from the top down. The highest voice is the first voice or voice 1.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
An embedding, or a smooth embedding, is defined to be an immersion that is an embedding in the topological sense mentioned above (i.e. homeomorphism onto its image). [ 4 ] In other words, the domain of an embedding is diffeomorphic to its image, and in particular the image of an embedding must be a submanifold .
In music for stringed instruments, especially guitar, an open chord (open-position chord) is a chord that includes one or more strings that are not fingered. An open string vibrates freely, whereas a fingered string will be partially dampened unless fingered with considerable pressure, which is difficult for beginner players.
An embedded graph uniquely defines cyclic orders of edges incident to the same vertex. The set of all these cyclic orders is called a rotation system.Embeddings with the same rotation system are considered to be equivalent and the corresponding equivalence class of embeddings is called combinatorial embedding (as opposed to the term topological embedding, which refers to the previous ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The Boehm system was developed in part to replace cross-fingerings. [9] The first key added to the flute, the short F key, [9] crossed the flute's body, replacing a fingering with an open hole above a closed one, and is presumably the origin of the name for such "cross" fingerings.