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His work included illustrations of Shakespeare, [3] [4] Bible stories, children's books, [5] and illustrations of Roman history. [6] In the late 1890s he worked as a pupil of the stained-glass artist, Christopher Whall. His earliest commission for stained glass is thought to have been in 1901 for St John's Catholic Church at Alton in Staffordshire.
Henry Patrick Clarke RHA (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement. His work was influenced by both the Art Nouveau and Art Deco movements. His stained glass was particularly informed by the French Symbolist movement.
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Icon of Saint Patrick from Christ the Savior Russian Orthodox Church, Wayne, West Virginia Stained glass window of St Patrick from the Protestant Church of Ireland cathedral in Armagh. 17 March, popularly known as Saint Patrick's Day, is believed to be his death date and is the date celebrated as his Feast Day. [103]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The collection includes books, embroideries, tapestries, fabrics, wallpapers, drawings and sketches, furniture and stained glass, and forms the focus of two published works (produced to accompany special exhibitions). [303] [304] The former "green dining room" at the Victoria and Albert Museum is now its "Morris Room". The V&A's British ...
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