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Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
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The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
The fable has also appeared on postage stamps illustrating La Fontaine's fables. These include in the 11 franc commemorative set of 1977 from Burundi ; [ 23 ] the 35 franc stamp issued by Dahomey in 1972, [ 24 ] later overprinted as a 50 franc value for Benin ; [ 25 ] the 170 forint stamp issued as part of a set by Hungary in 1960; [ 26 ] and a ...
When the fable figured in 16th century emblem books, more emphasis was put on the moral lesson to be learned, to which the story acted as a mere appendage.Thus Hadrianus Junius tells the fable in a four-line Latin poem and follows it with a lengthy commentary, part of which reads: "By contrast we see the reed obstinately holding out against the power of cloudy storms, and overcoming the onrush ...
Margaret Agnes Rope (20 June 1882 – 6 December 1953) was a British stained glass artist in the Arts and Crafts movement tradition active in the first four decades of the 20th century. Her work is notable for the intensity and skill of the painting and the religious fervour underpinning it.
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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]