Search results
Results from the WOW.Com Content Network
Death: An Essay on Finitude is a book by Françoise Dastur in which the author explores philosophical aspects of death in the continental perspective. Reception
Thanatology is the scientific study of death and the losses brought about as a result. It investigates the mechanisms and forensic aspects of death, such as bodily changes that accompany death and the postmortem period, as well as wider psychological and social aspects related to death. It is primarily an interdisciplinary study offered as a ...
The term phenomenology derives from the Greek φαινόμενον, phainómenon ("that which appears") and λόγος, lógos ("study"). It entered the English language around the turn of the 18th century and first appeared in direct connection to Husserl's philosophy in a 1907 article in The Philosophical Review.
Maurice Blanchot (/ b l ɑː n ˈ ʃ oʊ / blahn-SHOH; French:; 22 September 1907 – 20 February 2003) was a French writer, philosopher and literary theorist. [4] His work, exploring a philosophy of death alongside poetic theories of meaning and sense, bore significant influence on post-structuralist philosophers such as Gilles Deleuze, Michel Foucault, Jacques Derrida and Jean-Luc Nancy.
Edmund Gustav Albrecht Husserl (/ ˈ h ʊ s ɜːr l / HUUSS-url, [14] US also / ˈ h ʊ s ər əl / HUUSS-ər-əl; [15] German: [ˈɛtmʊnt ˈhʊsɐl]; [16] 8 April 1859 – 27 April 1938 [17]) was an Austrian-German philosopher and mathematician who established the school of phenomenology.
A Meditation on Rosenzweig's Claim That Death Is Very Good". The Journal of Jewish Thought and Philosophy. 29 (1): 57– 77. doi: 10.1163/1477285X-12341317. ISSN 1053-699X. Menzies, Rachel E.; Whittle, Lachlan F. (3 February 2022). "Stoicism and death acceptance: integrating Stoic philosophy in cognitive behaviour therapy for death anxiety".
Jacques Derrida, The Gift of Death; Edward F. Findlay, Caring for the soul in a postmodern age : politics and phenomenology in the thought of Jan Patočka. Albany: SUNY Press, 2002. Marc Crépon, Altérités de l'Europe. Jan Patočka and the European Heritage, Studia Phaenomenologica VII (2007) - Ivan Chvatik (guest editor)
Death was seen as normal and it was customary for loved ones to witness the occasion. Finally, while accepted and witnessed, it lacked "theatrics" and a "great show of emotions". [3] Ariès explains his choice of "Tamed Death" as a title is meant to contrast with the "wild" death of the twentieth century, in which people fear and avoid death. [4]