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Indian classical music is the classical music of the Indian subcontinent. [1] It is generally described using terms like Shastriya Sangeet and Marg Sangeet. [2] [3] It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. [4]
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet . The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. [ 1 ]
The following is an incomplete list of Indian classical music festivals, which encapsulates music festivals focused on Indian classical music. The origins of Indian classical music can be found in the Vedas, which are the oldest scriptures in the Hindu tradition dating back to 1500 BC. Indian classical music has also been significantly ...
Carnatic music or Karnataka Sangita (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
This page was last edited on 12 October 2023, at 21:35 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This collection was originally recorded by Alain Danielou for the International Music Council between 1950 and 1955, and was published in 1966. As a tribute to Alain Daniélou, UNESCO re-issued the album on 1997 as Anthology of Indian Classical Music - A Tribute to Alain Daniélou. [1] The introductory text is by Serge Moreux.
Indian classical music has ancient roots, and developed for both spiritual (moksha) and entertainment (kama) purposes. Rāga , along with performance arts such as dance and music, has been historically integral to Hinduism, with some Hindus believing that music is itself a spiritual pursuit and a means to moksha (liberation).
In Jasrangi Jugalbandi a male and a female vocalist sing two different ragas at the same time in two different scales, based on the Moorchhana principle of Indian classical music. The two singers give prominence to the Shadja-Madhyam and Shadja-Pancham Bhav, with the ‘ma’ note of the female voice becoming the ‘sa’ of the male voice, and ...
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