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Godzilla vs. Megalon (ゴジラ対メガロ, Gojira tai Megaro) is a 1973 Japanese kaiju film directed by Jun Fukuda, written by Fukuda and Shinichi Sekizawa, and produced by Tomoyuki Tanaka, with special effects by Teruyoshi Nakano.
Robert Dunham (July 6, 1931 – August 6, 2001) was an American actor, entrepreneur, writer, racecar driver, journalist, and a US Marine. [1]He is probably best known for his role as Antonio, Emperor of Seatopia in Godzilla vs. Megalon (1973); Dunham's biggest role would be that of Mark Jackson in the Japanese film, Dogora (1964) and Captain Martin in The Green Slime (1968).
7. Godzilla Vs. Megalon (1973) By the early ‘70s, the prolific output of Godzilla sequels was in danger of running the franchise into the ground.
Megalon (メガロ, Megaro) is a kaiju who first appeared in Toho's 1973 film Godzilla vs. Megalon as the titular main antagonist. It is also his only film appearance to date. It is also his only film appearance to date.
In 1991, the English dubbed versions of Ebirah, Horror of the Deep (as Godzilla vs. the Sea Monster) and Godzilla vs. Megalon were riffed on Mystery Science Theater 3000. [191] In 1998, Columbia TriStar Television produced Godzilla: The Series ; developed by Jeff Kline and Richard Raynis, the series served as a sequel to the 1998 film Godzilla ...
It received a wide theatrical release in the United States in 1977 by Cinema Shares under the title Godzilla on Monster Island and was released in the UK by Miracle Films the same year as War of the Monsters. The film was followed by the 13th film in the Godzilla franchise, Godzilla vs. Megalon, released on March 17, 1973.
AKA Godzilla vs. The Thing, Godzilla vs. Mothra; [26] the last Showa Godzilla film where Godzilla was the villain Kwaidan: AKA Ghost Story; an anthology of four short stories (The Black Hair, Woman of the Snow, Hoichi the Earless and In a Cup of Tea) [27] Shirasagi: AKA The Snowy Heron: Dogora (AKA Dagora, the Space Monster) [28]
The film made slightly more money than Godzilla vs. Megalon, but was still not making as big a box office profit as the other films in the Godzilla series had in the early 1960s. [8] The 1974 Japanese release earned a distribution income ( rentals ) of ¥370 million . [ 9 ]