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Raghupati Raghava Raja Ram" (also called Ram Dhun) is a bhajan (devotional song) widely popularised by Mahatma Gandhi and set to tune by Vishnu Digambar Paluskar in Raga Mishra Gara. [ 1 ] [ 2 ] [ 3 ]
Vaishnava Jana To (Gujarati: વૈષ્ણવ જન તો) is a Hindu bhajan, written in the 15th century by the poet Narsinh Mehta in the Gujarati language. [2] The poem speaks about the traits and the ideals of a Vaishnava jana (a follower of Vaishnavism ).
Below are her mainstream Hindi, Marathi, Tamil, Telugu, Kannada and Malayalam record lists. She has also released thousands of devotional Hindu albums including Gajanana, Aartiyan, Shri Sai Mantra, Shri Ram Mantra and Jai Ambe Maa to name a few. [1] Her 2015 Sai bhajan "Sai Ram Sai Shyam" has found immense popularity among devotees.
Narsinh's bhajans belong to the genre "deshi" in Gujarati, which is also known as "pad" as a close similar in North Indian languages. Both styles anchor in the traditional meters and popular tunes and rhythms. He is known for ragas common during the morning time, spring, and rainy season. [2]
Shri Ramachandra Kripalu, or "Shri Ram Stuti," is a Stuti (Horation Ode) verse from his work called Vinaya Patrika, written by Goswami Tulsidas. It was written in the sixteenth century in a mix of Sanskrit and Awadhi languages. The prayer/ode glorifies Shri Rāma and his characteristics to the best. Original version: MIX of Awadhi and Sanskrit:
Gujarati folk music consists of a wide variety. Bhajan, a devotional song type, is categorized by theme of poetry/lyrics and by musical compositions such as Prabhatiya, Garba, etc. The Barot , Charan and Gadhvi communities have preserved and enriched the folk tradition of storytelling with or without music.
Thumak Chalat Ram Chandra is a bhajan (Hindu devotional song) written in the 16th century by the poet Goswami Tulsidas. The bhajan glorifies Shri Rama and his characteristics during the childhood. [1] Shri Tulsidasji describes Lord Rama's eyes, ears, and ornaments.
She composed these bhajans each with a theme and spiritual teaching like importance and grace of Guru, life of devotee, nature and words of Bhakti. They are composed as they are instructed to Panbai. Notably these bhajans do not mention any traditional Hindu deity but god in general, without any form or attributes.