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Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art ...
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Willem de Ridder (14 October 1939 [3] – 29 December 2022) was a Dutch anarchist [4] and artist, known as a founder of Fluxus. [5] He was the foremost Fluxus member in the Netherlands. He showed and sold Fluxus works in his gallery, Amstel 47, and shops Fluxshop and European Mail-Order Warehouse.
Poster to Festum Fluxorum Fluxus 1963. George Maciunas (English: / m ə ˈ tʃ uː n ə s /; Lithuanian: Jurgis Mačiūnas; November 8, 1931 Kaunas – May 9, 1978 Boston, Massachusetts) was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, [1] an international community of artists, architects, composers, and designers.
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas. He was the father of Andy Warhol protégé Bibbe Hansen [2] and the grandfather and artistic mentor of rock musician Beck and artist Channing Hansen. Bibbe and Channing continue his legacy by performing some of his most iconic works. [3]
At Bauermeister's atelier, Patterson also met Nam June Paik, through whom he met Fluxus founder George Maciunas and came to play an integral role in organizing the early European Fluxus festivals. [5] Patterson was a founding member of Fluxus [6] and participated in the first Fluxus Festival in Wiesbaden (1962). [7]
In 1969 Jones opened his own Tone Deaf Music Store (aka Joe Jones Music Store and/or JJ Music Store) at 18 N. Moore Street in New York City. There he presented his repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machine noise music in the window. [4]