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Another well-known item of clothing for women in this era was the bulaji, a dress that was Soviet-inspired both in name and style. [21] The dual-purpose jacket was one of the most common and recognisable styles for Chinese women in the 1950s and 1960s, alongside the Lenin jacket, military-style clothing and work clothing. [22]
Another guzhuang-style costume which has influenced modern clothing in modern-day China is the Xiuhefu designed by costume designer Ye Jintian in 2001 for the role of drama female character Xiu He, played by Chinese actress Zhou Xun, in the Chinese television drama Juzi Hongle (橘子紅了; 'Orange turned red'), a drama set in the Republican ...
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]
[3]: 19 By the 1930s, the cheongsam was associated with Chinese dress and was used in Hollywood movies as the identifying clothing of Chinese women. [3]: 19 When worn by Asian Hollywood stars, such as Anna May Wong, the sexualized version cheongsam was turned into a symbol of the exotic and erotic nightlife in Shanghai. [28]: 269
The women's clothing in the early Tang dynasty were quite similar to the clothing in the Sui dynasty; the upper garment was a short-sleeved short jacket with a low-cut; the lower garment was a tight-fitting skirt which was tied generally above the waist, but sometimes as high as the armpits, and a scarf was wrapped around the shoulders.
In women garments of the Ming dynasty, the standup collar with gold and silver zimukou became one of the most distinctive and popular form of clothing structure; it became commonly used in women's clothing reflecting the conservative concept of Ming women's chastity by keeping their bodies covered and due to the climate changes during the Ming ...
Long cross-collar upper garment (about the knee-length) over a long skirt could also be worn by Chinese elite women. [45]: 19–20 The aoqun consisting of jia ao (Chinese: 夹袄), a lined jacket, and a long-length qun was worn by the Han Chinese women as winter clothing; typically the jia ao would be worn over the skirt. [51]