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Raffaello Sanzio da Urbino [a] (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), [2] [b] now generally known in English as Raphael (UK: / ˈ r æ f eɪ. ə l / RAF-ay-əl, US: / ˈ r æ f i. ə l, ˈ r eɪ f i-, ˌ r ɑː f aɪ ˈ ɛ l / RAF-ee-əl, RAY-fee-, RAH-fy-EL), [4] was an Italian painter and architect of the High Renaissance.
Museum of Fine Arts, Budapest, Hungary: Tempera and oil on panel 28,5 × 21,5 1509–1510: Garvagh Madonna: National Gallery, London, United Kingdom: Oil on panel 38,9 x 32,9 1509–1510: La Disputa: Vatican Museums, Vatican City: Fresco 500 x 770 1509–1510: The School of Athens: Vatican Museums, Vatican City: Fresco 500 x 770 1509–1510 ...
Among the statues is one of the Archangel Raphael leading a boy with a fish; the archangel was a patron saint of fishermen. The center ceiling of the nave and the Baptistry has a decoration by Francesco Fontebasso. The present organ was built in 1821 by the brothers Antonio and Agostino Callido, son of the more famous organ maker, Gaetano Callido.
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
The National Archaeological Museum (Italian: Museo Archeologico Nazionale di Venezia) is a museum located right on Piazza San Marco in Venice. The National Archaeological Museum was established in 1523 by Cardinal Domenico Grimani. This Museum has a great collection of Greek and Roman sculptures, ceramics, coins and stones dating as far as back ...
Pietro Maria Bardi, former director of the museum, on the recommendation of Mario Modestini, his associate at the Studio D'Arte Palma in Rome, took the responsibility of adding the Kinnaird Resurrection to the body of works of Raphael, based on the existence of two preparatory studies for the composition, starting a heated debate about its ...
All the emotion of the painting is densely crammed into the foreground and the background is similar to that of a stage set with distant groups of people and crosses. The man on the left in the foreground is similar to a figure in Raphael's painting The Judgement of Solomon in the Raphael Rooms in the Vatican Palace, except reversed.
Lucretia is a 1500s drawing by the Italian High Renaissance artist Raphael, ... The Metropolitan Museum of Art acquired the sketch in 1997. [3] References