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Nine Lives is the twelfth studio album by American rock band Aerosmith, released on March 18, 1997. The album was produced by Aerosmith and Kevin Shirley , and was the band's first studio album released by Columbia Records since 1982's Rock in a Hard Place .
Reviews were mixed, and Nine Lives initially fell down the charts, [4] although it had a long chart life and sold double platinum in the United States alone, [40] fueled by its singles, "Falling in Love (Is Hard on the Knees)", the ballad "Hole in My Soul", and the crossover-pop smash "Pink" (which won the band their fourth Grammy Award in 1999 ...
Nine Lives grossed $19.7 million in North America and $38.1 million in other territories for a worldwide total of $57.8 million against a budget of $30 million. [21] The film was released in North America on 5 August 2016 alongside Suicide Squad. The film was projected to gross $10 million from 2,264 theaters in its opening weekend.
"Nine Lives" is a song by American hard rock band Aerosmith. It was released in 1997 as the lead single and title track from the album Nine Lives. The song was written by lead singer Steven Tyler, guitarist Joe Perry, and songwriter Marti Frederiksen. [1] The song starts with Tyler imitating a cat's wail.
Tim (Patrick Kennedy) invites eight friends of his to his Scottish mansion for a weekend celebration for his 21st birthday.Among the guests is his former college roommate Pete (David Nicolle), Pete's former girlfriend Laura (Amelia Warner), her best friend Emma (Rosie Fellner), Emma's former roommate Lucy (Vivienne Harvey), Lucy's New York socialite friend Jo (Paris Hilton), Jo's Manchester ...
Nine Lives may refer to the common myth that cats have nine lives. Nine Lives or 9 Lives may also refer to: Arts, entertainment, and media. Films. Nine ...
"Nine Lives" band members will be new UA jazz faculty member Zaire Darden, drums; Jordan McBride, bass; UA jazz program co-director Theron Brown, piano; Patrick Graney, percussion; Chris Anderson ...
The album received mixed-to-positive reviews. In a retrospective assessment AllMusic gave the album four stars, and said "despite the mostly stellar songwriting, which makes it a strong effort overall, some of the album's nooks and crannies haven't aged all that well because of Fairbairn's overwrought production, featuring an exaggerated sleekness typical of most mid-'80s pop-metal albums". [3]