Search results
Results from the WOW.Com Content Network
American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century.
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
It refers to a group of American literary notables who lived in Paris and other parts of Europe from the time period which saw the end of World War I to the beginning of the Great Depression [97] F. Scott Fitzgerald, Ernest Hemingway, Ezra Pound, Waldo Pierce, John Dos Passos: Stridentism: A Mexican artistic avant-garde movement.
History of literature in Vietnam by movement ... Literary realism (2 C, 18 P) ... Pages in category "Literary movements"
Literary realism, a movement from the mid-19th to the early 20th century; Magical realism, a genre of fiction and art that blurs the line between speculation and reality; Neorealism (art) Italian neorealism (film) Indian neorealism (film) New realism, a movement founded in 1960; Realism (art movement), 19th-century painting group
It is a primary example of nineteenth-century realism's role in the naturalization of the burgeoning capitalist marketplace. William Dean Howells was the first American author to bring a realist aesthetic to the literature of the United States. His stories of 1850s Boston upper-crust life are highly regarded among scholars of American fiction.
Dirty realism is a term coined by Bill Buford of Granta magazine to define a North American literary movement. [1] Writers in this sub-category of realism are said to depict the seamier or more mundane aspects of ordinary life in spare, unadorned language.
Author Tao Lin described Kmart realism as being "at its “height” maybe in the mid to late-80’s. Frederick Barthelme had 20-30 stories published in the New Yorker , Mary Robison also had many stories in the New Yorker , and Gordon Lish was publishing other people’s books and stories as an editor at Alfred A. Knopf and Esquire around then."