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The storyline between the AAA loyalists, led by La Parka, and Los Vipers, led by Cibernético came to a head on June 20, 2004, in the main event of Triplemania XII as La Parka defeated Cibernético in a Luchas de Apuesta, forcing Cibernético to unmask after the match in one of the biggest Triplemania events ever. [25]
In 1992 Antonio Peña founded a new wrestling promotion called Asistencia Asesoría y Administración (AAA), signing Tapia to a contract early on. Peña came up with the idea to repackage Tapia as "La Parka" (an altered spelling of La Parca, Spanish for "The Reaper"), a character who wore a full bodysuit and mask that resembled a skeleton like the ones used in Mexico's Day of the Dead ceremonies.
The Triplemanía show featured six professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated in a ...
The Triplemanía XIX show featured eight professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated ...
At an AAA press conference on May 12, 2010 it was announced that the match between the two would be for the rights to the name "La Parka". [10] The two signed the official contract for the match during a television taping on May 19, 2010. After signing the contract Dorian Roldan had the police arrest La Parka for piracy by impersonating La Parka.
The Triplemanía XIV show featured seven professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines.Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated ...
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