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Sing Unto God (also known as the Anthem for the Wedding of Frederick, Prince of Wales and Princess Augusta of Saxe-Gotha) (HWV 263), is an anthem composed by George Frideric Handel. It was performed for the royal wedding on 27 April 1736 at the Chapel Royal in St James's Palace , London with Francesca Cuzzoni -Sandoni, Carlo Broschi "Farinelli ...
Instrumental music for the revival of Ben Jonson's play The Alchemist. An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo. 44 Comus: June 1745 Ludlow Castle, Shropshire Three songs and a trio written as part of a private arrangement of John Milton's masque Comus. [2] 45 Alceste: Not performed
The Wedding anthem for Princess Anne, HWV 262, This is the day which the Lord hath made, is an anthem for vocal soloists, chorus and orchestra by George Frideric Handel. It was written for the wedding of Anne, Princess Royal and Prince William of Orange and was first performed during their marriage at the French Chapel in St James's Palace ...
[1] [2] Johann Christoph Pepusch was Master of Music, having taken up his post before Handel's arrival. [3] [4] The interior of St Lawrence's Church. During his stay, Handel composed anthems which became known as the Chandos Anthems, for use in Anglican church services. Brydges had a chapel built, but it was still under construction when Handel ...
George Frideric Handel. Parnasso in festa, per li sponsali di Teti e Peleo ("Parnassos in celebration for the nuptials of Thetis and Peleus", HWV 73), by George Frideric Handel, is a festa teatrale, a form also called a "serenata", a type of Italian opera intended as entertainment to celebrate a festive royal or state occasion.
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
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George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.
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