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Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [ 21 ] [ 22 ] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [ 23 ]
Motown AZ: 21st century Motown B.G.O.T.I. 1980s/1990s BGOTI Babyface: 21st century Motown Erykah Badu: 1980s/1990s Motown Bankroll Freddie: 21st century Motown J. J. Barnes: 1960s Ric-Tic Records Drake Bell: 21st century Motown Yummy Bingham: 21st century Motown Will Biondo: 21st century Motown Black Coffey 21st century Motown Blinky: 1960s ...
In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols, that had dominated the American charts in the late 1950s and 1960s. [22] It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and ...
On Dec. 21, 1964, The Temptations released what is now considered to be one of the greatest love songs ever recorded. Smokey Robinson and Ronald White wrote and produced the classic Motown melody ...
The company emerged as the leading producer (or "assembly line," a reference to its motor-town origins) of black popular music by the early 1960s and marketed its products as "The Motown Sound" or "The Sound of Young America"—which combined elements of soul, funk, disco and R&B. [85] Notable Motown acts include the Four Tops, the Temptations ...
Forty years ago, Michael Jackson took the stage and made an indelible impact on pop culture with his solo performance on Motown 25: Yesterday, Today, Forever, a televised celebration of the famous ...
Psychedelic soul (originally called black rock [1] or conflated with psychedelic funk [2]) is a form of soul music which emerged in the United States in the late 1960s. The style saw African-American soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units such as wah-wah and phasing, and drug influences. [3]
The Motortown Revue was the name given to the package concert tours of Motown artists in the 1960s. Early tours featured Smokey Robinson & The Miracles, Mary Wells, The Marvelettes, Barrett Strong, and The Contours as headlining acts, and gave then-second-tier acts such as Marvin Gaye, Martha & The Vandellas, Stevie Wonder, The Supremes, The Four Tops, Gladys Knight & the Pips and The ...