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Contrasting with some forms of Buddhism, the Buddha's teaching on 'reality' in the Tathagatagarbha Mahayana scriptures - which the Buddha states constitute the ultimate manifestation of the Mahayana Dharma (other Mahayana sutras make similar claims about their own teachings) - insists that there truly is a sphere or realm of ultimate truth ...
The term nirvana is part of an extensive metaphorical structure that was probably established at a very early age in Buddhism. It is "the most common term used by Buddhists to describe a state of freedom from suffering and rebirth," [13] but its etymology may not be conclusive for its meaning. [14]
The Buddha asserts that a happy and moral life would be correct if there is no karma and reincarnation. The logic is comparable to that of Pascal's wager . The disciple of the Noble Ones, Kalamas, who has such a hate-free mind, such a malice-free mind, such an undefiled mind, and such a purified mind, is one by whom four solaces are found here ...
Four Dharma Seals are the four characteristics which reflect some Buddhist teaching . [1] [2] It is said that if a teaching contains the Four Dharma Seals then it can be considered Buddha Dharma. [3]
The Buddha's teaching of the Dharma is based on two truths: a truth of worldly convention and an ultimate truth. Those who do not understand the distinction drawn between these two truths do not understand the Buddha's profound truth. Without a foundation in the conventional truth the significance of the ultimate cannot be taught.
In Huayan Buddhism, the supreme Buddha Vairocana is seen as the "cosmic Buddha", with an infinite body that comprises the entire universe and whose light penetrates every particle in the cosmos. [62] According to a religious pamphlet from Tōdai-ji temple in Japan (the headquarters of Japanese Huayan), "Vairocana Buddha exists everywhere and ...
Buddha Dev (Life of Lord Buddha), a 1923 Indian silent film by Dhundiraj Govind Phalke, first depiction of the Buddha on film with Bhaurao Datar in the title role. [428] Prem Sanyas (The Light of Asia), a 1925 silent film, directed by Franz Osten and Himansu Rai based on Arnold's epic poem with Rai also portraying the Buddha. [428]
The buddha-dhātu (buddha-nature, buddha-element) is presented as a timeless, eternal (nitya) and pure "Self" . [33] [5] This notion of a buddhist theory of a true self (i.e. a Buddhist ātma-vada) is a radical one which caused much controversy and was interpreted in many different ways. [34] [35] [8]