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Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Aesthetic realism, which was first called for by French filmmakers in the 1930s and promoted by Andre Bazin in the 1950s, acknowledges that a "film cannot be fixed to mean what it shows", as there are multiple realisms; as such, these filmmakers use location shooting, natural light and non-professional actors to ensure the viewer can make up ...
Socialist Realism was the official doctrine of art produced in the Soviet Union, through which the emerging medium of film took prominence. The doctrine mandated an idealized depiction of society under socialism , with Soviet film of the era conforming to standards approved by the First Congress of Soviet Writers.
Siegfried Kracauer (/ ˈ k r æ k aʊ. ər /; German: [ˈkʁakaʊ̯ɐ]; February 8, 1889 – November 26, 1966) was a German writer, journalist, sociologist, cultural critic, and film theorist. He has sometimes been associated with the Frankfurt School of critical theory. He is notable for arguing that realism is the most important function of ...
André Bazin (French:; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist.He started to write about movies in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.
In realism, which "produced the universal triumph of American cinema", actions transform an initial situation. [39] Large form is defined as SAS. There are gaps waiting to be filled. The main genres of this image are the documentary film, the psycho-social film, film noir, the Western and the historical film.
Montage theory, in its rudimentary form, asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film's ideological and intellectual power. In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film.
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory , a branch of film studies .