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The first heart sound, or S 1, forms the "lub" of "lub-dub" and is composed of components M 1 (mitral valve closure) and T 1 (tricuspid valve closure). Normally M 1 precedes T 1 slightly. It is caused by the closure of the atrioventricular valves , i.e. tricuspid and mitral (bicuspid), at the beginning of ventricular contraction, or systole .
Loudness Range [8] A statistically determined value that describes the loudness variation (dynamics) of a programme. R 128 does not prescribe a maximum loudness range. LRA could be limited arbitrarily during production for aesthetic purposes (depending on style or genre) or practical purposes (depending on the environment where the programme is ...
If present, a dagger (†) indicates the usage of a nautical time zone letter outside of the standard geographic definition of that time zone. Some zones that are north/south of each other in the mid- Pacific differ by 24 hours in time – they have the same time of day but dates that are one day apart.
For the left and right bands of the sound content, there are a series of vertical faders, which can be used to boost or cut specific frequency ranges. This equalizer is set to a smiley face curve, in which the mid-range sound frequencies are cut. Equalizers are also made in compact pedal-style effect units for use by electric guitarists.
It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz. [2] [3] [4] In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7 centimetres (0.67 in).
The sound of a bullet entering a person from a close distance may sound nothing like the sound designed in the above example, but since very few people are aware of how such a thing actually sounds, the job of designing the effect is mainly an issue of creating a conjectural sound which feeds the audience's expectations while still suspending ...
The chorus effect can be simulated by a range of electronic and digital effects units and signal processing equipment, including software effects. The signal processor may be software running on a computer, software running in a digital effect processor, or an analog effect processor.
The left and right surround speakers in the bottom line create the surround sound effect. 5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres. [1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [2]