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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
Ethno jazz, a form of ethno music, is sometimes equaled to world music or is regarded as its successor, particularly before the 1990s. An independent meaning of "ethno jazz" emerged around 1990. 1990s -> European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [195]
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
There are several central qualities shared by African music and jazz, most prominently the importance of improvisation. [1] Some instrumental qualities from African music that appear in jazz (especially its drumming) include using unpitched instruments to produce specific musical tones or tone-like qualities, using all instruments to imitate the human voice, [2] superimposition of one rhythmic ...
Norwwod-Tiger was 40 when she sang in public for the first time. She went on to perform at local jazz clubs, record CDs, and sing in venues across the U.S., Europe and Africa.
Ko-Ko" (also spelled "Ko Ko" or "Koko") is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis , double bassist Curley Russell and drummer Max Roach .