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“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...
"First They Came" (German: Als sie kamen lit. ' When they came ' , or Habe ich geschwiegen lit. ' I did not speak out ' ), is the poetic form of a 1946 post-war confessional prose by the German Lutheran pastor Martin Niemöller (1892–1984).
They adopted the term Drittes Reich ("Third Empire" – usually rendered in English in the partial translation "the Third Reich"), first used in a 1923 book entitled Das Dritte Reich by Arthur Moeller van den Bruck, [7] that counted the medieval Holy Roman Empire (which nominally survived until the 19th century) as the first and the 1871–1918 ...
The first paragraph of "Origin of terms" is copied nearly verbatim from the SparkNotes on this poem (see the second paragraph of the SparkNotes on line, accessed 2007-04-30). Should it be rephrased, deleted, or cited? -- DrGaellon (talk | contribs) 22:15, 1 May 2007 (UTC) If it is practically identical, then it deserves a citation.
It became the national anthem of the Weimar Republic in 1922, but during the Nazi era, only the first stanza was used, followed by the SA song "Horst-Wessel-Lied". [1] In modern Germany, the public singing or performing of songs identified exclusively with Nazi Germany is illegal. [2] It can be punished with up to three years of imprisonment.
Charles Alan Reich (/ r aɪ ʃ / RYSHE; [1] May 20, 1928 – June 15, 2019) was an American academic and writer best known for writing the 1970 book, The Greening of America, a paean to the counterculture of the 1960s.
Auden in 1939. German dictator Adolf Hitler observes German soldiers marching into Poland, September 1939 "September 1, 1939" is a poem by W. H. Auden written shortly after the German invasion of Poland, which would mark the start of World War II.
Flowers for Hitler contains 95 rhymed and free-verse poems, avant-garde texts, and pictorial elements. It was the first of his books to include Cohen's drawings. Only 20 of the poems directly address World War II and the Holocaust. In the poems, Cohen explores the banality of evil, "using the Holocaust as the highest known point of human evil".