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[9] Michele Theil wrote for PinkNews that Laverne Cox is Clean Slate's "shining star." [10] In a less positive review, Daniel Feinberg described the series in The Hollywood Reporter as "more of a fantasy of societal understanding than an issue-oriented comedy, very rarely producing laughs but very frequently generating reasonably earned warm ...
Fraud is a 2016 conceptual documentary film directed by Dean Fleischer Camp.The film is made up of re-edited home videos uploaded to YouTube. It tells the fictional story of an average white American family of four obsessively shopping at big-box stores until their increasing mountain of debt leads them to go to extremes in order to wipe the slate clean and keep the money flowing.
That evening, Clean discovers the remains of Michael’s partner while cleaning. Michael suddenly appears, apologizes for the stench, and offers him money, but Clean refuses and continues doing his job. The next day, Clean’s car breaks down in a bad neighborhood. While he tries to fix it, a group of thugs chase a man past Clean into an alley.
Laverne Cox is starting over with a Clean Slate. Prime Video released a trailer for the upcoming comedy Thursday; all eight episodes debut Thursday, Feb. 6. In the preview, Desiree (played by ...
In Ituri district, rebel forces ran an operation code-named "Effacer le tableau" (to wipe the slate clean). The aim of the operation, according to witnesses, was to rid the forest of pygmies. The aim of the operation, according to witnesses, was to rid the forest of pygmies.
We just fell into such a great cycle of feeling creative with him, and it felt like he helped us to wipe our slate completely clean. We had spent six months before we went into the studio writing ...
When Slate published a made-up quotation erroneously attributed to Donald Trump a few weeks ago, I bugged them about it, and they corrected it. My contempt for Donald Trump is bottomless, but I ...
Coup de Torchon (also known as Clean Slate) is a 1981 French crime film directed by Bertrand Tavernier and adapted from Jim Thompson's 1964 novel Pop. 1280. The film changes the novel's setting from an American Southern town to a small town in French West Africa .