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A foil is an architectural device based on a symmetrical rendering of leaf shapes, defined by overlapping circles of the same diameter that produce a series of cusps to make a lobe. Typically, the number of cusps can be three ( trefoil ), four ( quatrefoil ), five (cinquefoil [ 1 ] ), or a larger number (multifoil). [ 2 ]
Multifoil arch in the Aljafería, Zaragoza, Spain. A multifoil arch (or polyfoil arch), also known as a cusped arch, [1] [2] polylobed arch, [3] [4] or scalloped arch, [5] is an arch characterized by multiple circular arcs or leaf shapes (called foils, lobes, or cusps) that are cut into its interior profile or intrados.
A good design contains elements that lead the reader through each element in order of its significance. The type and images should be expressed starting from most important to the least important. Dominance is created by contrasting size, positioning, color, style, or shape.
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
Le Corbusier's Five Points of Architecture is an architecture manifesto conceived by architect Le Corbusier. [1] It outlines five key principles of design that he considered to be the foundations of the modern architectural discipline, which would be expressed through much of his designs.
An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
A Pattern Language: Towns, Buildings, Construction is a 1977 book on architecture, urban design, and community livability.It was authored by Christopher Alexander, Sara Ishikawa and Murray Silverstein of the Center for Environmental Structure of Berkeley, California, with writing credits also to Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel.
Within both architecture and industrial design there is a long tradition of being both inspired by and re-use design elements of existing buildings and products. This is the case even if many architects and industrial designers argue that they are primarily using their creativity to create new and novel design solutions.