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While the term "Gothic" in art history covers the 12th to 15th centuries, Gothic plate armour develops only during 1420–1440s, when the technological development of armour reached the stage where full plate armour (including movable joints) was made, and national styles of "white armour" began to emerge, specifically German ("Gothic") and Italian (Milanese).
Late Gothic Marienaltar by Tilman Riemenschneider, 1505-1508, Herrgottskirche, Creglingen. German art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art.
The term was invented by art historian Kurt Gerstenberg in his 1913 work Deutsche Sondergotik, in which he argued that the Late Gothic had a special expression in Germany (especially the South and the Rhineland) marked by the use of the hall church or Hallenkirche. At the same time the style forms part of the International Gothic style in its ...
The Kefermarkt altarpiece (German: Kefermarkter Flügelaltar) is a richly decorated wooden altarpiece in the Late Gothic style in the parish church of Kefermarkt in Upper Austria. Commissioned by the knight Christoph von Zelking, it was completed around 1497. Saints Peter, Wolfgang and Christopher are depicted in the central section.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe , and much of Northern , Southern and Central Europe , never quite effacing more classical styles in Italy.
Tilman Riemenschneider (c. 1460 – 7 July 1531) was a German woodcarver and sculptor active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between the Late Gothic, to which he essentially belonged, and Northern Renaissance art, a master in limewood and stone.
The Heller altar by Albrecht Dürer. The concept of the Northern Renaissance or German Renaissance is somewhat confused by the continuation of the use of elaborate Gothic ornament until well into the 16th century, even in works that are undoubtedly Renaissance in their treatment of the human figure and other respects.
Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.
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