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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
2019 United States [236] Polar: Jonas Åkerlund: 2019 United States, Germany, Canada [237] Prisoners: Denis Villeneuve 2013 United States [238] Queen & Slim: Melina Matsoukas: 2019 United States [239] A Quiet Life: Claudio Cupellini: 2010 Italy [240] Real: Lee Sa-rang 2017 South Korea [241] Richie: Gautham Ramachandran: 2017 India [242] Rojo ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
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Thousands of full-length films were produced during the decade of the 1940s. The actor Humphrey Bogart made his most renowned films in this decade. Frank Capra's It's a Wonderful Life and Orson Welles's Citizen Kane were released. Citizen Kane made use of matte paintings, miniatures and optical printing techniques. [1] The film noir genre was ...
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[40] The Woman in the Window: Fritz Lang: Edward G. Robinson, Joan Bennett, Raymond Massey: United States [41] 1945: The Body Snatcher: Robert Wise: Boris Karloff, Bela Lugosi, Henry Daniell: United States [42] Conflict: Curtis Bernhardt: Humphrey Bogart, Alexis Smith, Sydney Greenstreet: United States [43] Cornered: Edward Dmytryk: Dick Powell ...
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