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Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
William White 1913 1938 HN30 The Motherhood White and blue Phoebe Stabler 1913 1938 HN31 The Return of Persephone Grey and grey-blue Charles Vyse 1913 1938 HN32 Child on Crab Pale-blue, green and brown Charles J Noke 1913 1938 HN33 An Arab (also called The Moor) Green costume, blue cloak Charles J Noke 1913 1938 HN34 Moorish Minstrel Deep purple
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did ...
Stick–Eastlake is a style term that uses details from the Eastlake movement, started by Charles Eastlake, of decorative arts on stick-style buildings. It is sometimes referred to as Victorian stick, a variation of stick and Eastlake styles. Stick–Eastlake enjoyed modest popularity in the late 19th century, but there are relatively few ...
The entrance hall stairway has a banister and a light-topped newel post leading to the second-floor hallway which is surrounded by another open-work banister. There is a contrast between the white-painted woodwork and light embossed wallpaper with the darker woodwork and paper of the parlors and dining room.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
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