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The series was a combination of episodes derived from The Railway Series, stories in the Thomas the Tank Engine & Friends magazines (written by an uncredited Andrew Brenner, who would later become the show's head writer from 2013 to 2018), and a couple of original stories by Allcroft and Mitton. One of the primary reasons for diverging from the ...
Thomas y Sus Amigos Discovery Kids/Canal 5: The series in Spanish-speaking countries in Latin America, is known as Thomas y Sus Amigos, also known as its original English title from the thirteenth series onwards, and is dubbed into Latin American Spanish. It even has an official YouTube channel known as Thomas & Friends Latinoamérica. [59]
Thomas first appeared in 1946, in the second book in the series Thomas the Tank Engine, and was the focus of the four short stories contained within. In 1979, British writer and producer Britt Allcroft came across the books, [‡ 2] and arranged a deal to make the television series Thomas the Tank Engine & Friends (later simplified to Thomas ...
Thomas & Friends (formerly known as Thomas the Tank Engine & Friends) is a children's media franchise created by Britt Allcroft and currently owned by Mattel.The franchise revolves around an ensemble cast of anthropomorphic steam locomotives, including the titular main protagonist Thomas the Tank Engine as well as other vehicles, who work on the Island of Sodor.
All of the stories in Series 1 were originally written by the Rev. W. Awdry, including a one-off story commissioned by the staff: Thomas' Christmas Party.The seven engines introduced in this series became the core of the cast in later episodes, with crew member (and from Series 8–12, director) Steve Asquith terming them the "Magnificent Seven". [1]
The series focuses on the adventures of a younger version of Thomas the Tank Engine and his friends, including Percy, Nia, Kana, and Diesel. Throughout the episodes, they learn many life lessons and solve problems, while going around on their daily lives doing jobs, with help from each other and the other residents and visitors of the Island of Sodor.
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Series 11 was the first in the Series to be filmed in high-definition television format. It was also the last series to be filmed entirely with models and to utilize the resin faces in the closeup shots, as well as human figurines; Series 12 utilized a mix of CGI and models prior to the switch to full CGI animation in series 13.