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Close to You is the second studio album by the American music duo the Carpenters, released on August 19, 1970.In 2003, the album was ranked No. 175 on Rolling Stone ' s list of the 500 greatest albums of all time, [1] maintaining the rating in a 2012 revised list. [2]
Billboard highlighted "Close to You" in its "Spotlight Singles" section on May 30, 1970, commenting: "Performance is exceptional." [20] In a 1995 New York Times Magazine story about love songs released in summers, Stephan Talty described "Close to You" as a "hushed love song" that "[set] the tone for a generation's soft ballads" in 1970. [21]
The discography of the American pop group the Carpenters consists of 14 studio albums, two Christmas albums, two live albums, 49 singles, and numerous compilation albums. . The duo was made up of siblings Karen (lead vocals and drums) and Richard Carpenter (keyboards and vocal
(I'm Caught Between) Goodbye and I Love You: Horizon: 1975: 1975: Bettis, Carpenter (There's) Always Something There to Remind Me: Carpenters: 1971: 1971: Bacharach, David (They Long to Be) Close to You: Close to You: 1970: 1970: Bacharach, David (Want You) Back in My Life Again: Made in America: 1981: 1981: Chater, Christian: A Song for You# ...
"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. [3] It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written "We've Only Just Begun," another hit for the duo.
Following their hit "(They Long to Be) Close to You" onto the charts, "We've Only Just Begun" hit No. 1 on the Cash Box singles chart and No. 2 on the U.S.Billboard Hot 100 behind the Jackson 5's "I'll Be There" and the Partridge Family's "I Think I Love You", becoming the pair's second million-selling gold single, spending nine weeks in the ...
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In some ways, Ticket to Ride is the Carpenters' most interesting album, for it contains a range of interests and sounds that were modified or abandoned on subsequent albums. The lushly orchestrated "Someday" is a brilliant showcase for Richard's arranging skills and the most dramatic side of Karen's voice - it points the way toward songs like ...