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This is a list of refrigerants, sorted by their ASHRAE-designated numbers, commonly known as R numbers. Many modern refrigerants are human-made halogenated gases, ...
Reviews of The Joy Luck Club were generally positive. The film holds an 86% rating on Rotten Tomatoes based on 83 reviews, including 71 "fresh" ones. The site's consensus states: "The Joy Luck Club traces the generational divide, unearthing universal truths while exploring lives through the lens of a specific cultural experience."
Good Luck!! topped the Japanese drama ratings with 35% of the Japanese viewership in 2003. [3] The first episode aired on January 19, 2003, with ratings of 31.6%, the third highest ratings of an opening episode, behind Beautiful Life and HERO, also starring Takuya Kimura. The single episode ratings are as follows: [4]
The ladies of the Joy Luck Club got together in the sweetest reunion ahead of the holidays. In an Instagram post shared by Ming-Na Wen on Monday, friends and former co-stars Rosalind Chao, Lauren ...
It was a day to remember for Ming-Na Wen, who reunited with her Joy Luck Club castmates on Tuesday at her Hollywood Walk of Fame ceremony.The 59-year-old Star Wars and Marvel actress was honored ...
Rosalind Chao (born September 23, 1957) [a] is an American actress, best known for playing Soon-Lee Klinger in the mid-1980s CBS show AfterMASH, Rose Hsu Jordan in the 1993 movie The Joy Luck Club, the recurring character Keiko O'Brien on Star Trek: The Next Generation and Star Trek: Deep Space Nine in the 1990s, and Dr. Kim on The O.C. in 2003.
A Few Good Men; The Player; Unforgiven; One False Move; Peter's Friends; Bob Roberts; Malcolm X; 1993: Schindler's List; The Age of Innocence; The Remains of the Day; The Piano; Shadowlands; In the Name of the Father; Philadelphia; Much Ado About Nothing; Short Cuts; The Joy Luck Club; 1994: Forrest Gump / Pulp Fiction; Quiz Show; Four Weddings ...
New York Times reviewer Lawrence Van Gelder called it a "sweet, modest clone" of other inspirational movies that surpassed expectations due to its excellent acting. [5] Similarly, John Anderson of the Los Angeles Times noted the potentially melodramatic concept, but found it to be elevated by its performances. [ 6 ]