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"A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas [1] can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.
Writing systems are used to record human language, and may be classified according to certain common features. The usual name of the script is given first; the name of the languages in which the script is written follows (in brackets), particularly in the case where the language name differs from the script name. Other informative or qualifying ...
Some pictograms, such as hazard pictograms, may be elements of formal languages. In the field of prehistoric art, the term "pictograph" has a different definition, and specifically refers to art painted on rock surfaces. Pictographs are contrasted with petroglyphs, which are carved or incised.
Previously, scholars like Geoffrey Sampson argued that Egyptian hieroglyphs "came into existence a little after Sumerian script, and, probably, [were] invented under the influence of the latter", [23] and that it is "probable that the general idea of expressing words of a language in writing was brought to Egypt from Sumerian Mesopotamia".
The most elaborate pictographs in the U.S are considered to be the rock art of the Chumash people, found in cave paintings in present-day Santa Barbara, Ventura, and San Luis Obispo Counties. The Chumash cave painting includes examples at Chumash Painted Cave State Historic Park and Burro Flats Painted Cave .
Generally, as a mnemonic, only keywords are written; a single pictograph can be recited as different phrases or an entire sentence. Examples of Dongba rebus include using a picture of two eyes (myə 3) to represent fate (myə 3), a rice bowl for both xa 2 'food' and xa 2 'sleep', and a picture of a goral (se 3) stands in for an aspectual particle.
An ideogram or ideograph (from Greek idéa 'idea' + gráphō 'to write') is a symbol that represents an idea or concept independent of any particular language. Some ideograms are more arbitrary than others: some are only meaningful assuming preexisting familiarity with some convention; others more directly resemble their signifieds .
The best exposition of Isotype technique remains Otto Neurath’s book International picture language (1936). "Visual education" was always the prime motive behind Isotype, which was worked out in exhibitions and books designed to inform ordinary citizens (including schoolchildren) about their place in the world.