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After Freeman's death Robin Gibb wrote a tribute, "Alan Freeman Days". [13] Recorded in August 2007, the song was included on Gibb's first posthumous album 50 St. Catherine's Drive in 2014. Black Sabbath dedicated the instrumental track "Fluff" on Sabbath Bloody Sabbath (composed by Tony Iommi ) to Freeman, since he was one of the few radio ...
Ward was also drinking heavily, and the song reflects the problems caused by their "extreme" lifestyles. An early incarnation of the song can be heard on the live albums Live at Last and Past Lives. The instrumental "Fluff" was composed by Iommi and named after BBC radio disc jockey Alan "Fluff" Freeman. [7]
Alan Freeman at the BBC (1973) Pick of the Pops returned to the BBC as an independent production by Unique Broadcasting on BBC Radio 2 on 5 April 1997, with Freeman now counting down two archive charts each Saturday afternoon, featuring the top 10s and interspersing trivia about the records, again researched by producer Swern. Freeman featured ...
"Alan Freeman Days" is a song written by Robin Gibb in 2007 as a tribute to the late Australian-British DJ Alan Freeman and released in May 2008. [ 1 ] [ 2 ] In 2014, it was included on Gibb's first posthumous album 50 St. Catherine's Drive .
The original version was proposed to Alan by the BBC producer Derek Chinnery. By April 1966 it was replaced as the main theme by "Quite Beside the Point" by the Harry Roberts Sound and written by Cliff Adams. But bits of the original "Swinging Cymbal" theme were used occasionally by Alan as jingles in the show.
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Alan Albert Freeman, known professionally as Alan A. Freeman (27 September 1920 – 15 March 1985) [1] was an English record producer, remembered for being Petula Clark's producer from 1949 until 1963, when his role was taken over by Tony Hatch. Freeman founded the independent Polygon label and worked for its successor labels, Pye Nixa and Pye.
The characters reference such DJs as Tony Blackburn, Dave Lee Travis, Simon Bates, Alan Freeman, Mike Read, Peter Powell, Noel Edmonds and Jimmy Savile. Enfield's parody of Radio 1's increasing irrelevance to the youth audience it supposedly catered for was a factor in Matthew Bannister 's decision to terminate the employment of many older ...