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Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil. When Ram Prasad Bismil was put on the gallows, the opening lines of this ghazal were on his lips. [2]
The Shahr Ashob (Persian: شهر آشوب; Shahr-i Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i Ashūb or Shahrashub, is a genre that becomes prominent in Urdu poetry in South Asia with its roots in classical Persian and Urdu poetic lamentations.
A reviewer for Philosophy East and West praised the book, citing Na'ima's "power of enthusiasm and persuasion" as a highlight. [5] The Indian god-man Osho mentioned The Book of Mirdad in his book A Song Without Words, saying that it "can be of immense help if you don't expect, and it is a book worth reading thousands of times."
from Hindi पश्मीना, Urdu پشمينه, ultimately from Persian پشمينه. Punch from Hindi and Urdu panch پانچ, meaning "five". The drink was originally made with five ingredients: alcohol, sugar, lemon, water, and tea or spices. [15] [16] The original drink was named paantsch. Pundit
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Musaddas (Urdu: مسدس) is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an ...
"Idgah" tells the story of a four-year-old orphan, named Hamid who lives with his grandmother Amina. Hamid, the protagonist of the story, has recently lost his parents; however, his grandmother tells him that his father has gone to earn money , and he will come back with sackloads of silver.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]