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Night of the Seagulls (Original Spanish: La noche de las gaviotas, also known as Don't Go Out at Night, and Night of the Death Cult) is a 1975 Spanish horror film written and directed by Amando de Ossorio. The film is the fourth and final in the Blind Dead series, being the sequel to The Ghost Galleon (1974).
Song to a Seagull (also known as Joni Mitchell) is the debut studio album by the Canadian singer-songwriter Joni Mitchell. Produced by David Crosby , the album was recorded in early 1968 at Sunset Sound and released in March 1968 by Reprise Records .
El cant dels ocells" (Catalan: [əl ˈkan dəlz uˈseʎs], 'The Song of the Birds') is a traditional Catalan Christmas song and lullaby. It tells of nature's joy at learning of the birth of Jesus Christ in a stable in Bethlehem. [1] The song was made famous outside Catalonia by Pablo Casals' instrumental version on the cello. [2]
English: The Night of the Blind Terror). The film was the first in Ossorio's "Blind Dead" series, spawning three official sequels: Return of the Blind Dead (1973), The Ghost Galleon (1974) and Night of the Seagulls (1975). Its success helped kickstart the Spanish horror film boom of the early 1970s. [2] [3]
This depiction also helped spark the song's unusual space-like lyrics. [6] "I Ran (So Far Away)" was recorded at Battery Studios in London with producer Mike Howlett. [7] It is a new wave [8] [9] and synth-pop song, [10] with a run time of five minutes and seven seconds. [7] According to the sheet music, the song moves at a quick tempo of
The first night of The Seagull on 17 October 1896 at the Alexandrinsky Theatre in Petersburg was a disaster, booed by the audience. The hostile audience intimidated Vera Komissarzhevskaya so severely that she lost her voice.
The band's debut album, A Flock of Seagulls, was released in 1982. The album was a commercial and critical success, reaching number 1 in Australia and the Top 10 in the US and New Zealand. The album was praised for its new wave songs, which were influenced by styles such as synthpop, post-punk and new romantic.
The song exemplifies "synth-pop's spaced-out loneliness" and yearning for imagined, absent lovers, [3] and is noted for its Wall of Sound-styled layer of synthesizer padding – a "multi-layered, hypnotic song", according to AllMusic. [2] According to lead singer Mike Score, "Wishing" was based on a real person. When recalling the experience ...