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In his attempt to recite his notes, Homer unknowingly babbles the chant. [24] 2019 – The documentary film, Buster Williams, From Bass to Infinity, directed by Adam Kahan. Jazz bassist Buster Williams is a Buddhist practitioner and chants with his wife during the film. [25] [better source needed]
Shōmyō (声明) is a style of Japanese Buddhist chant, used mainly in the Tendai and Shingon sects. [1] There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Shōmyō, like gagaku, employs the Yo scale, a pentatonic scale with ascending intervals of two, three, two, two, and three semitones. [2]
"Buddhist Chanting" at BuddhaNet Audio. Siddhartha the Musical (audio) by Fo Guang Shan; Chants of the Buddhist Churches of America by BCA "A Chanting Guide", by The Dhammayut Order in the United States of America. "Chanting with English translations and Temple Rules", chant book of the Kwan Um School of Zen.
In this text, the mantra is seen as the condensed form of all Buddhist teachings. [3] The precise meaning and significance of the words remain much discussed by Buddhist scholars. The literal meaning in English has been expressed as "praise to the jewel in the lotus", [4] or as a declarative aspiration, possibly meaning "I in the jewel-lotus". [5]
“What my chanting of ‘Nam-myoho-renge-kyo’ does is, it just focuses me,” he says. “It has me open my mind to the experience, to be present to the moment, to go with the flow.”
Aaron Proffit explains the benefits of the long version of the dharani according to the tradition of Chinese Esoteric Buddhism as follows: [4] Chanting this dhāraṇī one thousand times is said to purify all past karma, bestow rebirth in the highest level of Sukhāvatī, and produce visions of Sukhāvatī, Amitāyus Buddha, and assemblies of ...
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.