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"Louis Morizot trained many pupils including Bernard Millant and his five sons Marcel, Louis, Paul, André, and George Morizot.." Among the six sons son's of Louis Père, the well-known Mirecourt bow maker, René (the youngest), is the only one to have dedicated his life to violin making."
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
John Dodd (1752 in London – 1839 in Richmond, Surrey) was a British bowmaker.He was considered to be the greatest English bowmaker before and until James Tubbs. [1]He was a gunlock fitter and then a money scale maker before turning to bow making.
"His bows are exquisite, showing mastery in technical as well as stylistic aspects. His son, Heinrich Richard gen. Knopf (1860–1939) (known as Henry) became an excellent bow & violin maker who established what was to become a very important and successful shop in New York City (from 1879–1931)."
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Gustave BAZIN (1871 - 1920) second son of Charles-Nicolas Bazin II, was the first violin maker in the family. His students included Amèdée Dieudonne, Marcel Vatelot and Charles Enel. René BAZIN (1906 - 1982) son and pupil of Charles-Louis (for bow making), pupil of Dieudonné (for instrument making). He was more attracted by violin making.
Bernard Millant inspecting a bow at the Le Canu Millant shop in Paris, France. Bernard Millant (1929 – 5 April 2017) was a bow maker, archetier and luthier in Paris, France. He was the son of Max Millant. He studied violin-making at Amédée Dieudonné's workshop in Mirecourt. He also studied bow-making with Louis Morizot alongside the ...
"Not surprisingly, his [Pajeot's] style of work strongly influenced his contemporaries, and his ideas can be glimpsed in the later works of Nicolas Harmand, Jean Adam (bow maker) (Dominique GrandAdam) and his son Jean, Charles Guinot, Joseph Gaudé, Georges Ury, and Nicolas Mauchard, this last almost certainly a pupil or employee for many years."
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