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The concerto is primarily difficult from its many quick scale patterns which must be played perfectly and also from its many fast chord patterns moving up and down. Beginning with this concerto, Mozart began to use the term "grand" to describe his concerto such as K. 450 which feature a prominent and required wind section for the ensemble. [5]
Piano Concerto No. 1: 3 First movement B minor Allegro con spirito 1874 [n 3] Second movement G major Adagio Third movement E major Scherzo molto vivace Fourth movement B minor Allegro con spirito l'istesso tempo Caprice: 4 — A minor Vivo 1875 [n 4] Hommage à Schumann: 5 — E ♭ major Allegro con brio 1875 [n 5] Fantasie-Impromptu: 6 — F ...
Philip Marlowe Concerto (Piano Concerto No. 2) Piano Concerto No. 2 for the left hand (in C minor and E-flat major) (Bortkiewicz) Piano Concerto No. 3 "Per aspera ad astra" (Sergei Bortkiewicz) Piano Concerto No. 1 (Arthur De Greef) Piano Concerto (Delius) Piano Concerto No. 1 (Concerto capriccioso) (Théodore Dubois)
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The main theme is introduced by the piano and then transferred to the orchestra while the piano accompanies in octaves. Andante The second movement begins in the key of F-sharp major which was for Scriabin "a ‘bright blue’ mystic key". [1] It is in the form of theme and variations. The orchestra introduces the theme.
Piano Concerto, Op. 1 (destroyed, material partly used in the Piano Concerto No. 2) Piano Concerto No. 1 in B-flat, Op. 16 (1913) Piano Concerto No. 2 in E-flat, Op. 28, for left hand alone, written for Paul Wittgenstein (1924) Piano Concerto No. 3 in C minor, Per Aspera ad Astra, Op. 32 (1927) Russian Rhapsody; Dmitry Bortniansky. Piano ...
Mozart Piano Concertos Nos 20 and 21. Cambridge Music Handbooks. Cambridge University Press. ISBN 0-521-48475-8. Hutchings, Arthur (1997). A Companion to Mozart's Piano Concertos. Oxford University Press. ISBN 0-19-816708-3. Mozart, W. A. Piano Concertos Nos. 1–6 in full score. Dover Publications, New York. ISBN 0-486-44191-1
Rachmaninoff proofing copies of the concerto in 1910. Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. [1]
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