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1. A natural craving or desire 2. An attraction or affinity; From French word "Appétence", derived from "Appétit" (Appetite). après moi, le déluge lit. "After me, the deluge", a remark attributed to Louis XV of France in reference to the impending end of a functioning French monarchy and predicting the French Revolution.
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Mutatis mutandis is a Medieval Latin phrase meaning "with things changed that should be changed" or "once the necessary changes have been made", literally: having been changed, going to be changed. [ 1 ] [ 2 ] [ 3 ] It continues to be seen as a foreign-origin phrase (and thus, unnaturalized, meaning not integrated as part of native vocabulary ...
Accelerating change may not be restricted to the Anthropocene Epoch, [12] but a general and predictable developmental feature of the universe. [13] The physical processes that generate an acceleration such as Moore's law are positive feedback loops giving rise to exponential or superexponential technological change. [14]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". [2] Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations) [3] [4] [5], motifs, and ...
Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. [not verified in body] Such lists are commonly employed in various forms of theatre, and also on screen. [not verified in body] Typically, off-stage characters are not considered part of the dramatis personae.
Theatre technique is part of the playwright's creative writing of drama, as a kind of mimesis rather than mere illusion or imitation of life, in that the playwright is able to present a reality to the audience that is different, yet recognisable to that which they usually identify with in their everyday lives.