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Charles Seltman, a fellow of Queens' College, Cambridge, curator of the Archaeology Museum there and an editor of The Cambridge Ancient History, illustrated a chapter titled "The new woman" in his book Women in Antiquity with a 1950s model wearing an identical bikini against the 4th-century mosaics from Piazza Armerina as part of a sisterhood ...
A Sculptor's Model, by Alma-Tadema, 1877. The statue's subject has variously been interpreted, as the Roman goddess Venus (possibly in the form Venus Anadyomene), as a nude mortal female bather, a female version of the diadumenos tying up the hair with a fillet ().
Partial nudity of goddesses in Roman Imperial art, however, can highlight the breasts as dignified but pleasurable images of nurturing, abundance, and peacefulness. [ 63 ] [ 64 ] The completely nude female body as portrayed in sculpture was thought to embody a universal concept of Venus , whose counterpart Aphrodite is the goddess most often ...
Moya K. Mason, Ancient Roman Women: A Look at their Lives. Essay on the lives of Roman women. "Wife-beating in Ancient Rome": an article by Joy Connolly in the TLS, April 9, 2008 "An etext version of: Ferrero, Guglielmo. "Women and Marriage in Ancient Rome." The Women of the Caesars. The Century Co.; New York, 1911.
A woman's hairstyle expressed her individuality in the ancient Roman World. How one dressed one's hair was an indication of a person's status and role in society. Hair was a very erotic area of the female body for the Romans, and attractiveness of a woman was tied to the presentation of her hair.
Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
In modern media, images of partial and full nudity are used in advertising to draw attention. In the case of attractive models this attention is due to the visual pleasure the images provide; in other cases it is due to the relative rarity of such images. The use of nudity in advertising tends to be carefully controlled to avoid the impression ...
Zurbarán also painted some pictures of Hercules for the Torre de la Parada, commissioned by Velázquez. [118] But undoubtedly the great genius of the Spanish Baroque was Diego Velázquez, painter to Philip IV, whose magnificent production is one of the milestones in the history of art. Velázquez enjoyed great freedom in his work, undoubtedly ...