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Fragment of Milanese bobbin lace, dating from the 17th century Milano, bobina di pizzo per balza da camice, in punto di milano, 1650-1700 ca. 02. Milanese bobbin lace is a textile used as a fashion accessory or a decorative trim, first becoming popular in the 17th and 18th centuries in Milan.
A gamurra was an Italian style of women's dress popular in the fifteenth and early sixteenth centuries. It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia). It was usually unlined. [2]
Full-size pattern sheets suitable for tracing were sometimes included in women's periodicals from around 1770 on. In 1808, The Lady's Economical Assistant was published in England, providing full-sized sewing patterns that could be traced. Other early publications included scaled drafts for dresses and headgear.
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is ...
Pine pattern collar in tatting. Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. [1] Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces.
In the context of Italian design, it is about Italian-born design and development in various fields such as silks San Leucio and workshops Pietrarsa, shipyards of Castellammare di Stabia. The rest of Italy was characterized by fragmented political and geographical condition but industrialization was significantly present in other pre-unitary ...
Elsa Luisa Maria Schiaparelli was born at the Palazzo Corsini, Rome. [8] Her mother, Giuseppa Maria de Dominicis, [9] was a Neapolitan aristocrat. [10] Her father, Celestino Schiaparelli, a Piedmontese, was an accomplished scholar with multiple areas of interest. [11]
Women from the 14th century wore laced ankle-boots, which were often lined with fur. Later in the 15th century, women began to wear long-toed footwear styled on men's poulaines. They used outer shoes called pattens—often themselves with elongated toes during this era—to protect their shoes proper while outside. [34]