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Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is ...
Fragment of Milanese bobbin lace, dating from the 17th century Milano, bobina di pizzo per balza da camice, in punto di milano, 1650-1700 ca. 02. Milanese bobbin lace is a textile used as a fashion accessory or a decorative trim, first becoming popular in the 17th and 18th centuries in Milan.
Pine pattern collar in tatting. Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. [1] Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces.
Full-size pattern sheets suitable for tracing were sometimes included in women's periodicals from around 1770 on. In 1808, The Lady's Economical Assistant was published in England, providing full-sized sewing patterns that could be traced. Other early publications included scaled drafts for dresses and headgear.
A woman wearing a gamurra underneath a giornea. A gamurra was an Italian style of women's dress popular in the fifteenth and early sixteenth centuries. It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia). It ...
Elsa Luisa Maria Schiaparelli was born at the Palazzo Corsini, Rome. [8] Her mother, Giuseppa Maria de Dominicis, [9] was a Neapolitan aristocrat. [10] Her father, Celestino Schiaparelli, a Piedmontese, was an accomplished scholar with multiple areas of interest. [11]
Furlana: As danced by the Italian community in the town of Vodnjan (in Italian Dignano), this is a dance for six people consisting of two trios with one man between two women. The dance in 6 8 rhythm is composed of three figures done to accompaniment by violin and cello.
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
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