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This dynasty also contributed to the flourishing of architecture in Central Asia at this time, building in a style very similar to the Seljuks. [13] [9] [8] Similarly, to the east of the Great Seljuk Empire the Ghaznavids and their successors, the Ghurids, built in a closely related style.
Anatolian Seljuk architecture, or simply Seljuk architecture, [a] refers to building activity that took place under the Sultanate of Rum (late 11th to 13th centuries), ruled by an offshoot of the Seljuk dynasty that emerged from the Great Seljuk Empire (11th–12th centuries) alongside various other local dynasties.
Seljuk architecture may refer to: Great Seljuk architecture (11th–12th centuries, mostly in Iran, Central Asia, and nearby regions) Anatolian Seljuk architecture ...
These developments in architectural practice are coherent with the Seljuk dynasty's focus on Islam and the promotion of Muslim orthodoxy, the combining of Sufism and Sunnism. [128] [19] Overall, the architecture attributed to the Seljuk period is characterized by elaborate decoration, much like the other arts produced under Seljuk rule. [129]
Great Seljuk architecture — of the Seljuq dynasty (10th—12th centuries), in Central and Western Asia. Subcategories This category has the following 2 subcategories, out of 2 total.
Funerary tower of Seljuk Tughril Bey in Rey (12th century). Another important monument of this period is the mausoleum of Sanjar in Merv (now Turkmenistan), which dates from around 1152. Built in brick, as is traditional in Iran, it is one of the most impressive funerary monuments known. It is composed of two parts: a high square base, open to ...
Italianate. Modeled after farmhouses on the Italian countryside in the early 1800s, Italianate-style homes stand out for their grand stature. This style made its way to the U.S. in the 1850s ...
The First National Architectural Movement (Turkish: Birinci Ulusal Mimarlık Akımı) was an architectural movement led by Turkish architects Vedat Tek (1873–1942) and Mimar Kemaleddin Bey (1870–1927). Followers of the movement wanted to create a new and "national" architecture, which was based on motifs from Seljuk and Ottoman architecture.