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B movie B-roll baby plates backlighting backlot background actor See extra. background lighting balloon light barn doors beatscript below-the-line A term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials.
In comedy, a throwaway line (also: throwaway joke or throwaway gag) is a joke delivered "in passing" without being the punch line to a comedy routine, part of the build up to another joke, or (in the context of drama) there to advance a story or develop a character.
Trailer for Universal Pictures' science-fiction horror film Frankenstein (1931). A trailer (also known as a preview, coming attraction, or attraction video) is a short advertisement, originally designed for a feature film, which highlights key scenes of upcoming features intended to be exhibited in the future at a movie theater or cinema.
Warner Bros. has released the trailer for Tim Burton’s follow-up to his 1988 cult classic horror-comedy “Beetlejuice,” with Michael Keaton reprising his role as the ghoulish title character.
Cast Away is a 2000 American survival drama film directed and produced by Robert Zemeckis and starring Tom Hanks, Helen Hunt, and Nick Searcy. Hanks plays a FedEx troubleshooter who is stranded on a desert island after his plane crashes in the South Pacific , and the plot focuses on his desperate attempts to survive and return home.
Mindy Kaling is continuing her path of spotlighting South Asian storytelling in Hollywood. Following the recent success of Netflix's Never Have I Ever and HBO Max's Sex Lives of College Girls ...
A waning demand for traditional trailer music in the movie industry emerged by the mid-2010s; [4] [25] the pair has since focused increasingly on creating further public albums consisting of new and more varied compositions, with far less of an emphasis on composing demos for trailers, [4] while continuing to release more of their back catalog ...
According to Steven Ziplow, author of The Film Maker's Guide to Pornography (1977), "There are those who believe that the come shot, or, as some refer to it, 'the money shot', is the most important element in the movie and that everything else (if necessary) should be sacrificed at its expense."