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A wedding dress from the MGM film Invitation is particularly similar to Grace's dress. The dress materials included "twenty-five yards of silk taffeta, one hundred yards of silk net, peau de soie, tulle and 125-year-old Brussels rose point lace." The Juliet cap that she wore was bejeweled with seed pearls and orange blossoms.
Elizabeth Seymour wears a black satin gown with full sleeves and black velvet partlet. Her cuffs have floral blackwork embroidery, 1540–41. Lady Margaret Butts wears a high-necked chemise with a band of blackwork at the neck. The lappets on her gable hood are solid black, and she has a fur piece draped around her shoulders, 1543.
The slippers she wore matched the white of the dress. The train of the dress, carried by her bridesmaids, measured 18 feet (5.5 m) in length. Queen Victoria described her choice of dress in her journal thus: "I wore a white satin dress, with a deep flounce of Honiton lace, an imitation of an old design.
Wedding dress from 1891. Until the late 1960s wedding dresses reflected the styles of the day; since then they have often been based on Victorian styles. Weddings performed during and immediately following the Middle Ages were often more than a personal union between two individuals. They frequently symbolized a union between families ...
Henrietta Maria's riding costume consists of a jacket-bodice of blue satin with long tabbed skirts and a matching long petticoat. She wears a broad-brimmed hat with ostrich plumes, 1633. A Lady from Spanish court wears an elegant, black dress. Its simplicity is a testament to the austerity of the Spanish court; however, her high hair is quite ...
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Grace Kelly's wedding dress was also made from lace by Solstiss, a French company. All the companies involved are known to produce the highest quality of couture lace. [30]) and hence the floral motifs available were those present in the patterns. The lace designs include roses, thistles, daffodils and shamrocks, representing the national ...
Madeleine Vionnet was an early innovator of the bias-cut, using it to create clinging dresses that draped over the body's contours. [19] Advertisement for women's fashion at McWhirters department store, Brisbane, Australia, 1941. Through the mid-1930s, the natural waistline was often accompanied by emphasis on an empire line.
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