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Ephemeral art [1] is the name given to all artistic expression conceived under a concept of transience in time, of non-permanence as a material and conservable work of art. Because of its perishable and transitory nature, ephemeral art (or temporary art ) does not leave a lasting work, or if it does – as would be the case with fashion – it ...
The ephemeral nature of the Spiral Jetty (sometimes visible, sometimes submerged) sparked inquiries [24] into the enduring influence of the artwork and the importance of its various representations, such as photographs, films, and essays. The photographs played a critical role in preserving and promoting the earthwork's growing renown, acting ...
Ephemeral art has been a constant in the history of architecture, although a distinction must be made between constructions conceived for temporary use and those that, despite being built with durability in mind, have a brief expiration due to various factors, especially the poor quality of the materials (wood, adobe, plaster, cardboard ...
Monte Parnassus, ephemeral decoration project on the occasion of the entry of Philip V in Madrid (1701), by Teodoro Ardemans. One of the main characteristics of Baroque art is its illusory and contrived character: "ingenuity and design are the magic art through which one manages to deceive the eye to the point of astonishment". [3]
Ephemeral, by the mid-19th century, began to be used to generically refer to printed items. [3] Ephemera and ephemerality have mutual connotations of "passing time, change, and the philosophically ultimate vision of our own existence". [9] The degree to which ephemera is ephemeral is due in part to the value bestowed upon it.
Psychologists have studied why ephemerality may improve memory retention; social psychologist Karl E. Scheibe, conversely, suggested that ephemeral images are only memorable if repeated. [44] [45] The ephemerality of memory leads objects to assume the function of begeting remembrance on account of their greater stability. [46]
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874.
Robert Janz (Belfast December 25, 1932 - New York City October 26, 2021), was a New York-based visual artist whose work often dealt with ephemeral phenomena. [1] [2] His work has been described as having a "nomadic aspect", exploring "change and transience" and the temporary quality of life.
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