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Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...
The plainly evident emotion of Berg's music is dislocated from its cause and "deflected onto something else impossible to define", thereby contradicting its own intensity and undermining the listener's "instinctive obedience to emotive instructions", contrary to expressionism, which "tells its listeners pretty unambiguously how to react". [19]
Formalism may refer to: Legal formalism, legal positivist view that the substantive justice of a law is a question for the legislature rather than the judiciary; Formalism (linguistics) Scientific formalism; Formalism (philosophy), that there is no transcendent meaning to a discipline other than the literal content created by a practitioner
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]
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Expressionism: Part of the larger expressionist movement, literary and theatrical expressionism is an avant-garde movement originating in Germany, which rejects realism in order to depict emotions and subjective thoughts [92] [93] Franz Kafka, Alfred Döblin, Gottfried Benn, Leonid Andreyev, Heinrich Mann, Oskar Kokoschka: First World War Poets