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The film received mixed reviews from critics. On Rotten Tomatoes, I.Q. holds a 47% rating, based on 30 reviews. [6] Roger Ebert of the Chicago Sun-Times gave the film 3½ stars out of 4, with glowing praise of Walter Matthau's performance. "Matthau as Einstein is a stroke of casting genius. He looks uncannily like the great mathematician.
Title Director Cast Genre Notes Calamity Jane and Sam Bass: George Sherman: Yvonne De Carlo, Howard Duff, Dorothy Hart: Western: Universal: Canadian Pacific: Edwin L. Marin: Randolph Scott, Jane Wyatt, J. Carrol Naish
The year 1949 in film involved some significant events. Top-grossing films (U.S.) The top ten 1949 released films by box office gross in North America are as follows: ...
Adapted by Terry Johnson from his 1982 play of the same name, the film follows four famous characters who converge in a New York City hotel one night in 1954: Joe DiMaggio, Albert Einstein, Marilyn Monroe, and Joseph McCarthy—billed as The Ballplayer, The Professor, The Actress and The Senator, respectively.
1949 film festivals (2 P) I. 1949 in Indian cinema (5 P) S. Film series introduced in 1949 (1 C, 6 P) Pages in category "1949 in film" This category contains only the ...
A jury consisting of 1,500 film artists, critics, and historians selected "Frankly, my dear, I don't give a damn", spoken by Clark Gable as Rhett Butler in the 1939 American Civil War epic Gone with the Wind, as the most memorable American movie quotation of all time.
Albert Einstein advocated for a socialist planned economy with his 1949 article "Why Socialism?" According to Einstein, the profit motive of a capitalist society , in conjunction with competition among capitalists, leads to unnecessary cycles of booms and depressions, and ultimately encourages selfishness instead of cooperation. [ 3 ]
When Montagu visited Einstein in June 1946, Einstein reviewed the script and responded positively, calling the title One World or None an excellent choice and declaring the script "just right" without suggesting any changes. Einstein strongly supported the idea of using the film as a means of educating the public about the control of atomic energy.