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Backside view of a violin. Flame maple (tiger maple), also known as flamed maple, curly maple, ripple maple, fiddleback or tiger stripe, is a feature of maple in which the growth of the wood fibers is distorted in an undulating chatoyant pattern, producing wavy lines known as "flames".
The SJ-200 was named for its super-large 16 7/8" flat top body, with a double-braced red spruce top, rosewood back and sides, and sunburst finish. In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955.
Colours on sale in 2012 are "Antique natural" - like the original 1970s all-maple maple neck L6-S - and "Silverburst" with a baked maple fretboard. No ebony fretboard model is on sale. The current L6S neck does not feature the unique "narrow at the nut and wider near the body" taper of the 1970s guitar, but a conventional Gibson shape.
The Gibson ES-339 is the descendant of the ES-335.It is made from a solid maple center block and maple laminate top, back and sides. It is smaller than the ES-335, closer to the size of a Les Paul model.
The L series flattop guitars first appeared in 1926. [2] with spruce top and, in the beginning of their production, employed either X, H, or A bracing patterns. The L-1 models have carved maple or birch back and sides, while the less-expensive L-0 models have strained birch back and sides. Both have 12 frets clear of body, 25" scale length.
Variations of maple (commonly maple wood with flamed or quilted grains) are used on the tops of electric guitars for aesthetic purposes. The very sturdy frame of the modern piano is usually made of maple or of beech. Mahogany may be used in the tops of some guitars as well as the back, sides, and necks of instruments of the mandolin and guitar ...
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
This sturdier guitar was less likely to be returned to Gibson for warranty work, but its volume was reduced and tone negatively affected. [3] In 1985 Gibson's new owners began to address the quality issues that were affecting the company's products and reputation. [4] By 1992 production of Gibson acoustic guitars was shifted to Bozeman, Montana.
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